"It's utterly beastly!" "She was there, day before yesterday, only for a few hours. She met him in London and went down to see the things."!

"Why not, with such a studied omission on his part to gloss over in any manner the painful tension existing between them—the painful tension that, under providence, I've been the means of bringing about? He gives you by his silence clear notice that his marriage is practically off." She had the sense for a while of Mrs. Gereth's regarding her with the detachment of some stern, clever stranger. "Then what's the matter with you? Why do you want me to give in?"

"Oh, I thought I remembered that at Poynton you had told me a day, and that it was near at hand." "No, miss; and I think she has left the garden. She has gone up the back road." In other words, they had the whole place to themselves. It would have been a pleasure, in a different mood, to converse with that parlor-maid. "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.